Miu Miu Women's Tales

#21 SHANGRI-LA

by Isabel Sandoval
Italy, United States, 2021, 11', color
Screenplay: Isabel Sandoval
SATURDAY 04 SEPTEMBER 2021
16:45 Sala Perla All Accreditations

cinematography
Michael Merriman
music
Keegan Dewitt

cast
Isabel Sandoval
Matthew Fifer

producers
Tani Cohen
Robert K. Rock
productions
Hi Production
Team 713 Entertainment
executive producer
Max Brun


It's California, during the Great Depression. A woman is confiding her most intimate thoughts in a church confessional, while the man on the other side listens silently and intently. But this is no ordinary religious ritual for seeking salvation. The woman - a second generation Filipino farmhand - is rapt in roleplay reverie, her sensuous words aimed at her white American lover, during a historic period when such interracial relationships were forbidden by state law. The confession box transforms into a romantic time machine, ecstatic and melancholic, traveling into alternate futures. She manifests as multiple, dazzling women, and they can love freely.

 

Filmography


2021 Shangri-La (short)
2019 Lingua Franca 
2012 Aparisyon (Apparition)
2011 Seņorita 


"I was stunned, honored, and privileged to be invited to direct the next Miu Miu Women's Tales. I regard costumes as an expression of the lead character's potential as a woman, where she envisions herself as a warrior, princess or goddess." [Isabel Sandoval]

Director, actress, writer, producer, and editor Isabel Sandoval is the Filipina filmmaker who made history with Lingua Franca at the 2019 Giornate degli Autori. Lingua Franca was nominated for the 2021 Film Independent John Cassavetes Spirit Award, and Sandoval is the first recipient of GALECA's (The Society of LGBTQ Entertainment Critics) 2021 Trailblazer Award to honor entertainment figures who stand out for creating art that inspires empathy, truth and equity. Ms. Sandoval made her directorial debut with the noir-inflected Seņorita, which world-premiered in competition at the Locarno Film Festival and earned her the Emerging Director Award at the Asian American International Film Festival. Her second feature as director was the Ferdinand Marcos-era nun drama Apparition, which won the Lotus Audience Award at the Deauville Asian Film Festival following its world premiere at the Busan International Film Festival

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