IT
Official Selection

TRES

by Juanjo Giménez
Spain, Lithuania, France, 2021, 104', color
Screenplay: Juanjo Giménez, Pere Altimira
SATURDAY 04 SEPTEMBER 2021
22:15 Sala Astra 1 Press, Industry
SATURDAY 04 SEPTEMBER 2021
22:30 Sala Astra 2  Press, Industry
SUNDAY 05 SEPTEMBER 2021
17:00 Sala Perla All Accreditations
Followed by Q&A
FRIDAY 10 SEPTEMBER 2021
22:15 Sala Astra 1 Tickets, all Accreditations
FRIDAY 10 SEPTEMBER 2021
22:30 Sala Astra 2  Tickets, all Accreditations

OUT OF SYNC

cinematography
Javier Arrontes
editing
Cristóbal Fernández
music
Domas Strupinskas

sound
Oriol Tarragó
Marc Bech
Daniel Fontrodona
production design
Miriam Devesa
costumes
Aránzazu Domínguez

cast
Marta Nieto (C)
Miki Esparbé (Iván)
Fran Lareu (Pablo)
Luisa Merelas (Marga)
Francisco Reyes (Intruder)
Cris Iglesias (Aurora)
Julius Cotter (Phil)
Iria Parada (Isa)

producer
Luisa Romeo
production
Frida Films
co-producers
Marija Razguté
Juanjo Giménez
Birgit Kemner

world sales
Le Pacte
n.jeung@le-pacte.com
www.le-pacte.com

international press office
Gloria Zerbinati
gloria.zerbinati@gmail.com
Eva Herrero
eva@madavenue.es


C. is a talented sound designer, passionate about her work. After delivering a few sound mixes with clear defects of synchronization, her employers believe that she is going through a phase of psychological instability, and that they cannot trust her with new projects. She will then realize that, just like a film with a faulty soundtrack, her brain is processing sound later than images. As the time lapse extends, day after day, she will face hardships, be forced to give up her job and reconsider her whole life.

 

Filmography


2021 Tres
2016 Timecode (short)
2014 Contact-Proof (doc)
2010 Esquivar y Pegar
(doc, directed with Adán Aliaga)
2009 Rodilla (short)
2007 Nitbus (short)
2005 Màxima Pena (short)
2003 Nos hacemos falta (Tilt)


"As I usually do, we enforced some rules even before we started writing. Along with Javi Arrontes, our photography director, we designed two basic codes for the staging, one for the synchronic sequences and another for the asynchronous ones. [...] We also had rules in relation to the narration. She lives in some sort of permanent podcast. First it's just emotional, then it's also sensorial. There aren't any dialogues where the characters talk face to face about 'what matters', 'what's important.' All the essentials are hidden or deferred. There were also rules affecting post-production; no music, except when it specifically comes from the movie's own action. Using synchronic non-diegetic music implied absolutely betraying this project's spirit. And no evident visual effects: the supernatural had to emanate totally from the sonorous universe." [Juanjo Giménez]

With the short movie Timecode (2016), Juanjo Giménez (Barcelona) won the Palme d'Or at the Cannes Film Festival and the 2017 European Film Award for Best Short Film, and was nominated for both an Oscar® and a Goya, in the short film category. Giménez has also directed the feature film Tilt (2003), which premiered at the Rotterdam Film Festival; and two documentaries, Contact-Proof (2014) and Esquivar y Pegar (2010).

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